Volume 10: Louis Armstrong THE Jazz Masterpiece Part 1

I’m pretty sure my dad’s favorite trumpet player was Louis Armstrong. The song you hear open and close each episode was his favorite tune and it’s being played by Satchmo, which was my dad’s favorite version.

Louis is probably the most influential musician, band leader, singer, recording artist and jazz ambassador there is.

Let’s hear some REAL jazz history with Volume 10: Louis Armstrong THE Jazz Masterpiece Part 1.

Video Intro

Listen here or on my PodBean Podcast Episode page:

You can check out the video version here or on YouTube:

Credits and Copyrights:

Discogs.com album page here.

Louis Armstrong – Roy Eldridge ‎– Jazz Masterpieces
Label: The Franklin Mint Record Society ‎– FM JAZZ 001
Series: The Greatest Jazz Recordings Of All Time – , Institute Of Jazz Studies Official Archive Collection –
Format: 4 × Vinyl, LP, Compilation, Red vinyl and box Box Set
Collection was Released: 1982

Phonographic Copyright (p) – The Franklin Mint Record Society
Copyright (c) – The Franklin Mint Record Society

ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

The program:
Intro
West End Blues
Recorded: 6/28/1928
Written by: Joe King Oliver
Why this album
Alone At Last
Recorded: 8/7/1925
Written by: Ted Fio Rito and Gus Kahn
Album/market value/liner notes
When You’re Smiling
Recorded: 9/11/1929
Written by: Larry Shay, Mark Fisher and Joe Goodwin
Artist bio
All Of Me
Recorded: 1/27/1932
written by Gerald Marks and Seymour Simons
Side Note
Butter And Egg Man
Recorded: 11/26/1926
written by Percy Venable
One more time
Symphonic Raps
Recorded: 6/28/1928
Written by: Bert Stevens
Recap
Chinatown My Chinatown – GREAT SOLO!!
Recorded: 11/3/1931
Music by Jean Schwartz. lyrics by William Jerome

Photos:
From the Enclosed Booklet from Smithsonian Institute
https://blackartstory.org/
https://mirfaces.com/
Google site: groupinthe1920s
https://www.history.com/
NPRits-From-The-Great-White-Way/release/2424265

ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.